Showing posts with label Sept 1989. Show all posts
Showing posts with label Sept 1989. Show all posts

Saturday, 27 June 2026

Sridevi in 1989: Sridevi according to AI in 2026: The cultural damage of image modification


Photo editing is a skill - and ai machinery that's "fixing", resurrecting, colour correcting... is putting a generic stamp and impossible beauty standard on women and the slop is erasing women for the natural beauty and flaws and fabulousity. Sridevi's original photos ai corrected is an over correction. To such a point, the post-edited photo looks nothing like the original icon that Sridevi was.... which brings me to the latest rant of the day;

The Erosion of Authenticity: How AI Photo Editing is Undermining Cultural Icons

Fasten your seat-belts, its going to be a bumpy ride.

Photo editing has long been a skilled craft - one that respects light, composition, and the soul of the subject. Today’s AI “restoration,” colour correction, and “enhancement” tools, however, function more like blunt instruments of homogenisation. They stamp faces with a generic, poreless, impossibly symmetrical beauty standard that flattens individuality. What gets erased is not merely technical imperfection but the very essence of natural beauty: the expressive asymmetries, lived-in lines, distinctive features, and charismatic flaws that made icons unforgettable. The result is visual slop — technically polished, culturally hollow.

Take Sridevi, the legendary Indian actress whose magnetic screen presence defined an era. Her original photographs capture a vibrant, singular face: the sharp expressiveness of her eyes, the particular curve of her smile, her bulbous nose that somehow was a source of constant chagrin to only her - no one else - the energy that radiated from her bone structure and expressions. AI “corrections” of these images often go far beyond dust removal or colour balancing. They smooth, reshape, and re-proportion her features until the woman staring back barely resembles the icon millions adored. The over-correction doesn’t honour her - it replaces her with a generic template of contemporary attractiveness, what (often Western) ideals of beauty standards that obfuscate original identity into a mass produced reserve of Barbie-fication. The fabulousity born of her specific humanity disappears.

This pattern repeats across yesteryear stars. AI systems, trained predominantly on current beauty trends and filtered social media imagery, systematically diminish the very characteristics that gave actors cultural weight: a crooked smile that conveyed mischief, a prominent nose that lent gravitas, skin texture that told stories of age and experience, or eyes whose unique shape conveyed emotion with precision. These traits weren’t flaws; they were signatures. By erasing them, AI severs the visual link between the public and the performer’s authentic self.

In another decade (if not sooner), the damage may become irreversible. Future generations will encounter “restored” archives of Marilyn Monroe, Audrey Hepburn, MGR, or Sridevi that look like smoothed avatars rather than real people. The cultural significance of these icons - rooted in their tangible, flawed, human presence - will dilute into shadow versions of themselves. Historical memory itself risks distortion: we will remember not who they were, but what an algorithm decided they should have been.

Preserving original photographs, unedited or lightly and transparently restored, is therefore an act of cultural stewardship. Authenticity carries emotional truth. When we let AI overwrite that truth with generic perfection, we don’t just lose pixels - we lose the irreplaceable texture of human stardom.




Friday, 27 February 2026

Glamorous, gorgeous cover girl: Sridevi: TBT to 1989


Sridevi on the cover of MOVIE magazine back in Sept 1989 - and an outtake of that cover shoot -- film magazine exclusives were yet to be entrenched -- in the Hindi tabloid Kingstar! Sad that both magazines no longer exist as print media in India, particularly film journalism in magazine forma, circles the drain. 

Neeta Lulla styed these shoots and the images were taken by ace celebrity photographer Rakesh Shreshta. 






Tuesday, 28 September 2021

MOVIE magazine: Steel, Scandal, Sex Appeal: The Stuff Superwomen are made of: Sridevi, Hema Malini and Rekha

 





The story of No: 1: What all the top Indian actresses have in common - according to MOVIE magazine back in Sept 1989! Published 32 years ago this month! 


Monday, 17 February 2020

Sridevi's glossy 1989 look: The glamorous turban, pancake makeup, statement earrings: The Stylist Edit



The glossy, shimmering 80s makeup, the chunky over-sized accessories, the ever-fashionable turban, the contact lenses. Styled by Neeta Lulla, shot by Rakesh Shreshta back in the summer of 1989.

The left image with the white turban ran as an advert for Lux soap. The image on right from a cover shoot for MOVIE magazine published in Sept 1989.

Sunday, 10 November 2019

Sridevi styled by Neeta Lulla, photographer Rakesh Shreshta




Sridevi's designer turban, shot by Rakesh Shreshta, styled by Neeta Lulla.

Sept 1989 for MOVIE magazine.      




Sunday, 22 September 2019

Sridevi fashions a turban




Sridevi from an early shoot she did with designer Neeta Lulla for MOVIE magazine cover shoot. Shot by Rakesh Shreshta.

Sept 1989





Above caption in Hindi: I am not OK with exposing on screen. 

Tuesday, 18 September 2018

29 Years of Chandni: Sridevi, Rishi Kapoor and Vinod Khanna's magic in Yash Chopra's finest musical

Sridevi with Waheeda Rehman







The most gif-able movie of Sridevi is undoubtedly Chandni. In every scene and frame, the Indian actress looks perfect. Released on the 14th of September, 1989, it was a glorious year for Sridevi fans as she had several releases, back-to-back hits, multiple award nominations and wins. At the peak of her star power, aura, beauty and glamour, she was the undisputed Queen of Bollywood for the decade with no signs of slowing down. What a reign it was for the Queen Bee of Indian cinema.

Wednesday, 4 July 2018

The Double Premiere of Chandni in Mumbai and Delhi in 1989


Above, one of the few pics we have of the grand premiere of Chandni in Mumbai; Sridevi, musicians Shivkumar Sharma (and covered by Yashji) Hariprasad Chaurasia), producer and director Yash Chopra and Rekha. Legend has it Rekha was supposed to play the part of Chandni (was her name in the film Silsila) but Sridevi was chosen by Yash Chopra.

14 September 1989

Below, images of  the team during the film's Delhi premiere. Interesting to note that all eyes are constantly on Sridevi - who was clearly the superstar of the moment. Also, a surprising appearance of Anil Kapoor - who went on to grab the subsequent film of Yashji, the classic Lamhe.