From 1984 to 1994, Sridevi had a great innings as the Number One female star of the decade. By the time, Choli ke peecheh, Dhak dhak and the unbeatable, historical run of Hum Aapke Hain Kaun came out, there was no denying that Madhuri Dixit's box-office power, if not acting prowess, had surpassed her.
The industry puts up with anything and everything, except box-office failure. Talent be damned, endurance be damned, skills, tenure, history be damned. The tumble of her movies with Salman Khan, the fiasco of Roop ki Rani Choron ka Raja, and to a certain extent, the surprise/shock of Lamhe's lukewarm numbers and response... Even we couldn't deny that the baton has been passed... albeit reluctantly. Well, Sridevi maintained that she still got the same respect, remuneration and banners } all of which was true.
Then the double tragedy of losing her parents, her sabbatical in 1995 - the only year she had no releases in her entire career - and she started returning signing amounts and backing out of projects.
Funnily enough, the games media play don't change - the second Madhuri was universally acknowledged as the new number one - that same press started pulling her down too. Almost immediately! First it was Juhi labelled the latest successor, then the younger brigade of Manisha Koirala, Kajol and Karisma Kapoor - and it got to Madhuri. Remember her fiery response on stage when she won Best Actress for Dil to Paagal Hai?! It was a moment.
Fads come and go, what's in fashion is ephemeral, but talent and the eternal style of Sridevi remains. Even when Sridevi was working, her co-stars were fans. She was acknowledged as a legend by the time she was 30. Sridevi saw everything great fame and fortune had to offer her; her destiny gave her everything in life but a long one.
"Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty."
-- Shakespeare















































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