Sridevi, Padmini Kolhapure and Poonam Dhillon
A magazine spread from 1984!
These were the leading young ladies of Bollywood...
The most comprehensive fan blog dedicated to India's most beautiful and greatest actress of all-time (in our humble opine!), Sridevi. Sridevi aka Sreedevi, ruled Indian cinema (with awesome performances in Tamil, Telugu, Malayalam and Hindi films) in a career spanning 50 incredible years featuring 266 films. Born in Sivakasi on August 13 1963, her untimely and tragic death on February 24, 2018 left a nation in mourning. In our hearts, she'll forever be, the eternal Queen of Bollywood.
Sridevi, Padmini Kolhapure and Poonam Dhillon
A magazine spread from 1984!
These were the leading young ladies of Bollywood...
![]() |
| Cine Blitz scan from the 1980s |
Poonam Dhillon, "The media would call Sridevi dumb...but she was brilliant!" Trending Video clip on Social Media!
Right: Cine Blitz, G magazine, Stardust are all guilty of calling Sridevi terms there were grossly unkind. She wasn't the most eloquent English speaker (a theme that came up rather beautifully in her film in 2012!), but she was trilingual - how many of the editors and writers were? Sridevi's legacy is enshrined - where are all these critics? They lived lives of quiet desperation and achieved nothing compared to the stature of the great Sridevi.
Throwback thursday: Poonam Dhillon launches The Vanity Van with Bollywood stars Sridevi, Anil Kapoor, Padmini Kolhapure!
Anil Kapoor and Sridevi were shooting Roop ki Rani Choron ka Raja at the time - hence Anil's hat (!) and Sridevi's 90s perm...
We've met Poonamji a few times in Hong Kong, she's as lovely and as soft-spoken as can be. Weirdly, have met film producer Ashok Thakeria too and he was such a gentleman. Wonder why the two couldn't make their marriage work, despite being such nice people. Oh well. Life is a mystery.
We wish the original Noorie, Poonam Dhillon a very happy birthday.
![]() |
| Sridevi, producer/director Subash Ghai and Poonam Dhillon on the sets of Karma (1986) |
Sridevi worked with "Showman," a title usurped from Raj Kapoor, Subash Ghai in only one film; the biggest blockbuster of 1986, Karma. With an all-star cast led by Dilip Kumar, Nutan, Naseeruddin Shah, Anil Kapoor, Jackie Shroff, Poonam Dhillon and a host of others, with a Sholay-esque plot line (the same beats of narrative!), Ghai always had a finger on the pulse of the Indian audience, as his movies made record breaking box-office. The opening of his movies were an event; a career that saw many ups and downs, Ghai endured all before riding box-office like a beast possessed. As writer, director, producer (often all three all at once and with a hand in music and a foot in dance too--watch the making of his movies!); his track record between 1982-1999 is one for the ages;
1982 Vidhaata Writer, Director
1983 Hero Writer, Director & Producer
1985 Meri Jung Writer & Director
1986 Karma Writer, Director & Producer
1989 Ram Lakhan Writer, Director & Producer
1991 Saudagar Writer, Director & Producer
1993 Khalnayak Writer, Director & Producer
1997 Pardes Director & Producer
1999 Taal Writer, Director & Producer
Oh the money truck backed into his haul and he truly understood what paisa-vasool movies had to be; high drama, highlight songs, momentous dance routines; extravagance, exhibitionism and entertainment. He spent big money on set pieces, costumes, music, the film in its entirety. However, he famously wasn't as generous to his stars though; he'd often give them career defining roles, but not remuneration. More reputation than blank cheque offers.
Which was not kosher for the highest paid Indian actress (and her famed momager, Rajeshwari!), the siren from the south Sridevi! Sridevi, then 22, was the shy, recently crowned Number One star of India who, by all accounts did not enjoy the experience of working in an ensemble film where she had little to do, and little to earn. Ghai's interactions with monosyllabic Devi, also didn't go down well. And the two never worked together again. Ghai found his muse in Meenakshi, then Madhuri, then Manisha, then Mahima, then, mmm hmm. The muses dried up.
Though he worked with Madhuri Dixit the most--Mukta Arts featured her in a song in Karma (which was later cut), then Uttar Dakshin (produced and written by Ghai), Ram Lakhan, Khalnayak, Prem Deewane (produced by Ghai's brother but under his banner)--clearly something went wrong as there was a phase when he praised Sridevi to the skies while Madhuri was dancing around box-office, and in his films!
![]() |
| (G)hai - kya hua?! |
Ghai's death spiral of flops (fiascos from Yaadein, Kisna, Black & White, Yuvraaj, Kaanchi) have spun out of control to such an extent that, he has essentially stopped making movies, and concentrating on Whistling Woods, the film school. Ghai didn't evolve with the times and the repeat formula of the retro vibe of his outdated storytelling simply hasn't worked; Yuvraaj was unbearable and Black & White was a yawn. Even the films he's produced have been no great shakes.
And yet, fact of the matter is Subash Ghai will always be remembered for his superhits, be it song or scene. His early filmography holds, entrenched for the ages as the movies he made in the 1980s and 1990s have a huge nostalgia and repeat viewing factor. Watching Khalnayak on the big screen, the chills we got when the chorus started singing 'Ri ra ri ri... " before the intro of Khalnayak; his memorable song and dance (take a bow Saroj Khan) picturisation, his phenomenal ear for music (which he never lost tbh); Ghai rocked the whistle-blow entry scene for hero or villain, long before Tamil and Telugu cinema perfected it.
In the winter of his life, we would love a juicy tell-all book about working in the Indian film industry, he famously doesn't mince words, "I have tasted success, I have tasted failure and I know everyone and everything changes around you when failure occurs. After Vishwanath, the party was over. Gautam Govinda, Karz and Krodhi [flopped]. Gautam Govinda and Krodhi took three years to make. With these two flops, everybody around me changed their tune. I never could forget how people turned on me. Even Shatrughan Sinha changed his tune. He stated that Subhash Ghai needs to learn the difference between a role and a actor. He doesn't know what is commercial and what is art. He said so many things like he understood commercial cinema. He forgot it was this Subhash Ghai that gave him Kalicharan and Vishwanath. That was when we decided to not work together again. The role of Ram in Ram Lakhan could have been done by Shatrughan..."
Ghai's place in the cine-pantheon is bolstered in marble, his legacy enshrined. At 80, he can truly rest on his laurels at long last.
In the age of IMDB and Wikipedia, today, every actress' date of birth and age is public knowledge. Until the turn of the century, no actress ever admitted their real age in print! For decades, you'd have to guess the age of Rekha, Jaya or Sridevi based on when their films were roughly released. Every figure and number was up for speculation.
Anytime a lady was seen as being mature, they'd suddenly doll up in plats and baby pink colours to infuse a modicum of youthful zest on their screen personas. There was a stage when any leading lady would never want to portray the role of 'mother' as they'd be bracketed as older - no matter how good the role was.
In First Wive's Club, Goldie Hawn famously said, "There are three stages to an actress in Hollywood; Babe, District Attorney, Driving Miss Daisy!"
In Bollywood, "Its college girl, Bhabhi, Mother to your Own Co-star of five years ago!"
Hema Malini, Raakhee, Mousmi Chatterjee et al fell into that trap. Playing the mother role to stars who were either similar age or even older! Aging women out is common till date.
Bollywood is that living contradiction; the more things change, the more they stay the same.
TBT to this vintage page in a magazine with all the top stars of Bollywood in the 1980s....
Today - 8th January - is the birth anniversary of the British-Indian actor Saeed Jaffrey. A wonderful actor equally adept at drama as he was in comedy.
He was brilliant in Shatranj ke Khiladi and there are several British TV shows and films he was great in - but his comedy in Chaalbaaz with Sridevi remains a personal fav.
This still from the (awful) film Pathar ke Insan. Released early in 1990, the movie is studded with late 80s fashion!
Well, at least all three look good here.
Anil Kapoor and Sridevi at the mahurat [launch] of Lamhe; Dilip Kumar, Sridevi, Poonam Dhilloon, Dara Singh on the sets of Karma.
Jeetendra, Dilip Kumar and Sridevi on the sets of Dharam Adhikari.
The ladies of the 80s: Poonam Dhillon, Sridevi and Padmini Kolhapure
32 years ago, on 26 August 1988, Sone Pe Suhaga was released. One of the few multi-starrers Sridevi was in with Dharmendra, Jeetendra, Anil Kapoor, Poonam Dhillon and Kimi Katkar.
Upon re-watch.... it is not a great movie, but it was the sixth biggest hit of 1988!
Notably, it was the last time Jeetendra and Sridevi did a film together, ending a 16-film run that had more major hits than flops.
Sone Pe Suhaaga was most notable for being a major multi-starrer directed by K. Bapaiah and had music by Bappi Lahiri. Pictured here are Dharmendra, Jeetendra, Anil Kapoor, Poonam Dhillon, Sridevi and Kimi Katkar in the mahurat shot - which also, oddly enough, happened to be the last scene in the film! Getting all six stars together was a feat so as much as possible was shot within that one day!
![]() |
| click to enlarge |