Showing posts with label interview. Show all posts
Showing posts with label interview. Show all posts

Saturday, 3 October 2026

Cine Blitz: July 1984: Interview with young newcomer to Bollywood Sridevi



 SRIDEVI''S INTERVIEW WITH CINE BLITZ MAGAZINE

An interview with the shy superstar - and she's not on the cover?! You know this was early days. In fact, at the time of the interview, Sridevi had only done a handful of Hindi films, she was 20, and was known as the "sexy" actress from the South! 

A look back at young Sridevi making her hesitant steps in Bollywood - before she raced to the very top! 

SRIDEVI GRILLED

Following her around for nearly five weeks across Guntur, Amravati, Hyderabad and Rajahmundry, CINE BLITZ caught Sridevi in candid moments one rarely sees of this reserved introvert, known for giving monosyllabic interviews. 

She is a current rage, but with fame and popularity start the tricks of the trade. And Sridevi seems to be playing them with the ease of a professional...   

Q. You've been in films for the past 11 years and should be around 26-27. And yet you claim that you are younger than our 'kid' actor, Kunaal Goswami.   

Sridevi: I cannot keep my age a secret even if I wished to. Everyone in films has seen me grow up. I was just five when I started acting. But it's true that I've been playing a leading lady for the last 11 years. My first adult role was in the Telugu film, Anuraagalu, a remake of the Hindi film, Anuraag. I had to wear padded clothes because I was just 11 at the time. So that makes me 22. Besides, I don't lie about my age... 

....Akkineni Nageswara Rao (Telugu's second biggest star after N.T.R.) ... even says that, 'Sridevi is like a grand-daughter to me'. Yet, we have given superhits together like Prema Bhishekam. If I can team successfully with actors much senior to me, surely I can also be a success with actors who are more my age.   

Q. But in Hindi films too, you have been consistently pairing with senior actors like Amitabh, Jeetendra, Rajesh Khanna.  

Sridevi: If I've done more films with these actors it's because they are very popular with the South based units. I personally feel Kamal Haasan and I are good together and we've given quite a few hits in Tamil. But unfortunately Sadma didn't do well. Currently, I'm doing Joshilaay with Sunny Deol and I'm sure we'll be a success. Boney Kapoor is starting his film in August with Anil and me. And I've already done Jaag Utha Insaan with Mithun and Raakesh Roshan. I feel I'll be better off with younger actors.   

"It's a fact that we're signing lesser films than before!" 


Q: Directors (in the South) are angry because you are now ignoring the very people who created you. Besides, you refused to wear a bikini for their films, yet you wear one in every Hindi movie?

Sridevi: Yes, I know that some Telugu directors are unhappy with me because I couldn't act in their films. But why should they be envious of my success in Hindi films? I have so much work right now that I can't even give dates for my next Hindi film. How can I act in Telugu? There are only a few people, like ANR, for whom I would willingly adjust my dates.

The other allegation is also fair. Although I was always considered a glamorous actress, I refused to wear a bikini in Telugu films. I wasn’t sure how my fans would react to it. But in Hindi films, it’s different. I wore a swimsuit in my second film Himmatwala, so I see nothing wrong with wearing it in subsequent films as well. Every actress reveals skin here. However, top actresses in Telugu films do not wear revealing clothes.

Question: Dasari Narayana Rao made the bikini allegation. It seems he doesn't like you very much.

Sridevi: Yes, he prefers Jayasudha. Dasari and I worked on successful films like Bobbili Puli (1982) and Premabhishekam (1981), but the fact is that Jayasudha is his favorite. Most directors have their favorites. K. Viswanath, with whom I worked on Jaag Utha Insan (1984), prefers newcomers, but among stars, he favors Jaya Prada. Similarly, K. Raghavendra Rao prefers me. Except for the film Nishana (1980), I have acted in every Hindi film he has directed so far. Even now, I am under contract with him until the end of 1985.

Q: Did you drop your price and allocate filming dates for Jaag Utha Insan just to invade Jaya Prada's territory? Comment on this.

Sridevi: Yes, I did prioritise Rakesh Roshan for the opportunity to work with K. Viswanath, the director of Sankarabharanam. But I wasn't trying to steal the film from Jaya Prada. I was told that she couldn't provide them with the necessary dates. If Jaya had adjusted her schedule for Jaag Utha Insan, working with K. Viswanath might not have happened for me.

Q: Is it just a coincidence that you have been getting more films with Jeetendra's rival, Rajesh Khanna?

Sridevi: Today, directors like Raghavendra Rao, to whom I am loyal, are directing a larger number of films with Rajesh Khanna. Over the last two years, South Indian filmmakers have started working with actors other than Jeetendra as well.

Q: Do you really have grounds to demand such an astronomical fee, knowing that many prefer Jaya Prada over you?

Sridevi: I am not aware of who Amitabh and everyone else prefers. I do quote a high price, and it is justified. Producers are still signing contracts with me; otherwise, I would have stopped acting. Charging a high fee is good because then the producer will ensure that you don't waste time on his film, if only to justify that investment.

Q: Could your high price hurt you? So many overnight sensations have appeared, literally - Bhanupriya, Padmini Kolhapure.

Sridevi: That is not the case for me. The fee level I have reached is not the result of just one or two hits. I was the top actress in Telugu for nine years, which proves that I am not someone who achieves success only to fade away immediately.

Q: Jaya Prada and Jayasudha have won recognition and awards as actresses. What do you think of their success?

Sridevi: Everyone who seeks recognition and awards receives recognition and awards. I sought love and popularity, and I received love and popularity. I am also capable of giving good performances, like in Sadma. And I also periodically win awards for my work, such as for Meendum Kokila. But my father likes films like Himmatwala, and that is why I act in them.

Q: Doesn't this extremely fascinating world of cinema depress you? You don't do anything else, after all.

Sridevi: Apparently, the question is whether I am happy? Yes, I am very happy. There are so many people whose lives are unlike mine... but are they happy? Yes, every work day of mine looks like the previous one. On Sundays, I have a day off in Madras, and my only joy is sleeping in late. But towards the evening I wake up, and if I have two consecutive days off, I start getting on everyone's nerves at home.

-- Sridevi in CINE BLITZ, July 1984


Monday, 20 April 2026

Sridevi on CNN: TBT to 2012

Rajeev Masand's interview with Sridevi and Gauri Shinde was great fun - sadly, we can no longer find it on YouTube. Did anyone save the clip?! 

We need it for posterity! The most relaxed Sridevi looked and the most fun she seemed to have, aided by her companion, dreictor/writer Gauri Shinde. 

When Rajeev asked Gauri if she was a Sridevi was a fun, Sri cut in and said, "I don't think so!"

They all laughed. 

Sri was too cute for words. 

BTW here's Sridevi looking 22 - when she was 49 when she did the interview!! 



Tuesday, 25 February 2025

TBT: Sridevi, "I flirt with the camera!"

Interview with Sridevi on the sets of Farishtay

Under a technicolour umbrella, there’s Sridevi. We are in Pahelgam. The rivulets flow from the mountaintops, birds chuckle, goats bleat and the sun’s striking a drum-beat.

Producer Sattee Shourie with Sridevi
It takes a lot of hubble-bubble, toil and trouble to wrap up an elaborate song’n’dance. Two cameras are whirring, producer Sattee Shourie (L) is something of a tigress, protecting her heroine as if she was her very own cub, from the autograph-mad millions. 

I barge into the shadow under her umbrella. Sridevi presents me with one of her special Miss India smiles. She nods politely, an interview’s okay she says, she’s not so shy anymore. She speaks in sentences now, gone are those classic monosyllables which were the bane of your life. 

Q: I’d like you to go back to your childhood. How has your experience as a child artiste helped you as an actress?
Sridevi: 
I played Lord Murugan in my very first film. Can you imagine, I did the role of a God even when I didn’t know about God? I was scared of people, I wasn’t very talkative. I was very thin. I suppose the experience helped me to come out of my shell, become confident. As a child, I wasn’t very smart. Today, I’m more sure of myself.

Did you have any friends?
Sridevi: Not really. No one except Dolly who was in the same school, the Good Shepherd Convent in Madras. She was sweet but I’ve lost touch with her. I studied only till the seventh standard. I never got used to the textbooks. I only got used to the camera. Naturally, I didn’t know anything about acting as a child. The director would say do this and I'd do it. I’d imitate him, like a parrot.


Do you think acting comes out of the experience?
Sridevi: No, no. Acting has nothing to do with your experience. Either you have it in you - or you don’t. In Tamil movies, there are actresses who have been in the industry for a long time but they still can’t act well. On the other hand, you have newcomers, who act superbly.

What kind of relationship do you have with he camera?
Sridevi: I flirt with it.

Do you see the camera like some male?
Sridevi: No. no, I was just joking. If the camera was a male, I’d be very reserved with it!

Have you always been closer to your mother than to your father?
Sridevi: Ummm, let me think… I’ve been close to both. Daddy’s stronger than mummy. He was a lawyer, an advocate, now he’s retired. He’s very affectionate. I’m not scared of him. I respect him a lot. If I stay up to watch video after midnight, he naturally shouts at me, I’m his little baby, he doesn’t treat me like a grown-up. 

Where do you draw your emotions from while acting?
Sridevi: There’s no such thing, there's no theory about acting. When I was seven I did my first film. I had to do a death scene and didn’t know what death meant. So I just pretended to go off to sleep. I’m told I did the death scene so well that both the director and the hero started crying. They couldn’t stand the thought that I was dead. 

Can you cry easily for the camera?
Sridevi: I can’t cry for the camera. I have to act it out. I need glycerine. While doing Mr. India, Shekhar (Kapur) told me to avoid glycerine, He felt I could cry on my own. I tried to, I tried to think of so many things but a tear just wouldn’t come. Probably, nothing sad has ever happened to me. Touchwood! No harm has ever come to my family or my relatives. But Shekhar wouldn't listen, he said keep trying. Finally, the tears came but theu didn’t come from my heart.

Do you ever regret missing out on your childhood?
Sridevi: As a child, I didn’t have the time to play with my sister or with my neighbourhood kids. I'd feel sad that I’ve to go shooting while my sister would be sleeping so aaram se [peacefully]. I’d ask, “Why she’s sleeping? Why’re you are more lenient with her?” But then to get something, you have to lose something. I’ve also wondered what holidays are... it must be great to go away to some faraway place and do nothing.

Do you ever try to learn more about things? Through cinema, through books?
Sridevi: Books, I’ve never read. but I do watch a lot of movies. I like Meryl Streep, she’s good even in a bad film. I liked her so much in Heartburn and Out of Africa.

In Mr.India, you reminded one of Geeta Bali. Have you been watching her movies on video? Did you copy her consciously?
Sridevi: I’ve been told this by other people too. But believe me, I’ve never seen a Geeta Bali film. I’ll make it a point to see her films now. 

 

OTHER INTERVIEWS

  • Sridevi's interview with Filmfare back in 1985 here.
  • Sridevi's interview with MOVIE magazine back in 1994 here.
  • Sridevi's interview with India Today in 2012 here.


Friday, 3 May 2024

TBT: Sridevi's interview from 1996: 'Urmila and Kajol are good. But I can't do these titilating dances!'

Sridevi's look from Mr. Bechara

Q: Which other films are fun?
Sridevi:
Mr Bechara with Anil Kapoor is interesting. I am also doing Anil and Boney's home production, Judaai. And then there is Yugpurush with Nana Patekar and Jackie Shroff. I’m playing a haughty socialite in that film. I’m quite happy with the way things are going. I’m not bothered with this so-called number game. We have not joined this business to be tagged No.1 or 2. And anyway it doesn't make sense. One hit and you’re up there. two flops and you’re down. It’s so silly.

Q: But you haven’t had any blockbusters recently. Even your career down South is on a simmer?
Sridevi:
I quit South Indian films long back. But even today many big producers continue to offer me plum roles. But I’m no longer really interested. But just because I do very selected films doesn't mean I am not doing well.

Q: You are looking lovely.
Sridevi:
(Blushes) Thank you.

Q: Urmila Matondkar is also looking very slim and sexy these days?
Sridevi:
Yes, I really liked her in Rangeela. I also like Kajol a lot, I think today’s girls are very talented and more confident then we were when we started. But then things have changed drastically. When I started acting, the directors and producers never bothered about technical gloss. They gave you a scene and you acted it out the way you thought right. There was no one to guide us, Now there are people to teach you acting. That way you cut down on the process of trial and error and end up looking natural and beautiful on screen.

Deva Raagam

Q: What do you think of their no-inhibition barred songs and dances?
Sridevi:
No comments. I don’t want to see the screaming headlines tomorrow, 'Sridevi against new girls!' (laughs). But honestly I will never be able to do the kind of dancing these girls are doing today. They are too titillating for my taste.

Q: One number in Rajkumar with Madhuri Dixit in a slinky black dress and green contact lenses reminds one of your fiery number in Laadla?
Sridevi:
Really? I haven't seen it.

Q: How does it feel to see others copying your numbers?
Sridevi:
(Smiles) No comments.

Q: Do you regret accepting any film, any role?
Sridevi:
Never, You should just make sure the mistakes are never repeated.

-- Entertainment Guide Magazine 1996. 


Sridevi on the sets of Army


Friday, 29 March 2024

Quick Q&A with Sridevi in Filmfare: TBT to 1989


What would you like to be if you had not become an actress?
Sridevi: A lawyer, like my father.

Where would you like to live?
Sridevi: In Madras.

Do you like what you see in the mirror?
Sridevi: Sometimes.

What did you spend your money on secretly from your parents?
Sridevi: For dolls.

What is your ineradicable habit?
Sridevi: Sleep during the day.

If Amitabh Bachchan and Vinod Khanna invited you to lunch on the same day, who would you prefer?
Sridevi: Neither one nor the other.

Are you touchy?
Sridevi: Not good.

When was the last time you were in the temple?
Sridevi: August 13th. [Sridevi's Birthday]

What role are you most looking forward to?
Sridevi: The role of a dancer.

If you had a free day, how would you spend it?
Sridevi: I would watch films in the cinema.

What kind of dreams do you see: colour or black and white?
Sridevi: Coloured... 

Excerpt: Filmfare Magazine 1989
.

Saturday, 6 May 2023

Throwback Q&A with the Queen... of Bollywood: Sridevi's interview with Filmfare back in the summer of '85

 

Turning back the clock to May 1985, Sridevi had already been declared as the Number One actress of her time the year before. She posed for Gautam Rajadhyaksha and did this short interview on the sets of a film. 

Excerpt:

The Empress

Sridevi's first foray into Hindi movies was a disaster. But when she came back again, it was to tumultuous applause. We were the first to announce her reign about  a year back: as queen ofthe marquee. Today, that reign continues. Uninterrupted; undisputed. Sridevi remains exactly where she was a year back; at the top.

This is not easy in an industry under siege today. Where every infallible totem has hit the dust, as rampant video piracy and booming television have wooed audiences back into their living rooms and the cinema halls are going empty. Amidst the ruins of the industry lie only a few success stories. And Sridevi's is one of them. 

How long will she reign? Who are her competitors? Where does she see her future taking her? Gautam Rajadhyaksha talks to the elusive star. 

Filmfare: Because of your power over the audience, will you stick only to popular films? Will you do serious roles to deepen the scope of your popularity?
Sridevi: Hindi audiences still think I am good only for the Himmatwala kind of roles-nakhras and sexy dances. I've had a better chance to show my versatility in the South. I've done a large variety of roles there. My two different kinds of films - Sadma and Jaag Utha Insaan-didn't do well. If they had been hits, I would have been offered many serious films. I am not too happy doing the same kind of films. I hold my first hit responsible for the image I am stuck with. And I don't want to be just another South Indian dancer either who just came and went. 

If I want people to remember me, I will have to prove that I can do everything. There are plans in the making but nothing has yet been finalised... so I can't tell you. I want to play difficult characters, where I have to think, work hard. Comedy roles too. They are very difficult.

Filmfare: Probably it's also to do with the star and actress syndrome. To which of these two categories do you think you belong?
Sridevi:
I really believe that if you're not an actress and become an overnight star, you disappear just as fast. An artiste should become a star after she is a good actress, if not an excellent one. Today, people think I am only a star but what they don't know is that it's not the glamour and my dancing that have got me where I am. I've been considered a fairly good actress for years in regional films. For the public, a successful artiste must be a star and an actress with glamour and talent. If the combination is not right, the artiste is not complete. Meena Kumari, Madhubala, Nargis are still remembered today because they were both. Rekha is loved because she acts well and looks' stunning. Of course, I've got to be both. 

Filmfare: You said you blame your image but aren't you partly responsible for it because of the bare-all, dare-all clothes you wear? Aren't you worried that though people may like to see you in these clothes', they may not respect you?
Sridevi:
I am tired of wearing skimpy clothes. I don't wear them in real life and I don't enjoy them. In the beginning, I was convinced that glamour was just sexy clothes' as far as the audience is concerned. But now I'm going to cut that out. The public may like to see me in sexy clothes, but their impression of me is as I appear on the screen. If a scène genuinely needs it, I may wear them. But not because I am compulsorily supposed to wear them in every film.

Filmfare: With such a busy schedule, do you get time for yourself? Don't you long for a holiday?
Sridevi:
A holiday? It's like a dream. I can't even think about it. This is my peak period. All of a sudden, I am in a position where a lot is expected of me. This is not the time for me to think of holidays. It's a sacrifice, but there is so much to gain. 

Filmfare: Alright, fantasize then! If you did have a holiday, what would you do?
Sridevi:
What would I do? I've seen a lot of films, read books and I'd like to see the world. I'd like to see plays on Broadway. I'm told there are so many kinds of plays there. I'd like to know more about that. I'd like to visit art galleries and see paintings. I've heard a little western classical music. I'd like to know a little about that too. Last year, when Zubin Mehta was here. I was very keen to attend his concert. 

Listen, I don't know anything, but I'd like to know. And I believe whatever an actress is exposed to and learns, is never wasted.

Filmfare: On off days and Sundays, what do you do?
Sridevi:
I never go to a restaurant or a movie. I am at home with my family. They are my greatest strength. I don't need any one else. I have very good parents. They are not greedy. They don't talk of signing more films, fees. They talk of my marriage, when I will settle down. My sister Latha is my closest friend and my aunt understands me very well. 

I am a very happy person. They only thing that makes me feel dissatisfied is that I'm not doing really good roles. I came to Hindi films because of all the thinking they do and the trouble they take. But I haven't got one good role. 

Filmfare: For that you may have to try serious cinema. I don't know what you mean by good roles. Whose films? Sham Benegal? Mahesh Bhatt - would you do them? 
Sridevi:
Oh I'd love to do them. Yes I will do an art film if the role is challenging, where I have to study and prepare. But will anyone take me?

I doubt it. Your image, your star status, will unnerve them. And your price too. Will you compromise on that score?
Definitively. I will certainly cut my price for a good acting role. Because only these films will be remembered. Like Sadma. Even if it was a flop, I'm proud of it. I can show it to my children. Did you know I almost couldn't do Sadma?

Why?
Himmatwala was a big hit and Balu Mahendra offered me Sadma. I was shocked because the character in Himmatwala was so different form the one in Sadma. I was so excited but we had date problems. Until, with great difficulty, we managed.

Talking of your debut, your Solva Saawan was a flop. Did you feel your dreams shatter then?
Sridevi:
No, I didn't. I was too busy with Tamil and Telugu films to think of one fop. And actually my re-entry was accidental. Padmalaya had my dates for a Telugu film. It got cancelled and they did Himmatwala, directed by Raghavendra Rao. And it succeeded. It all just happened. I didn't work for it.

So would you consider your success as luck or attribute it to your ambition?
Sridevi: 
I am not at all ambitious. I work hard, but that's my nature. The only thing important is that while I'm in films, I want to do good films. But I'm very lucky. There are so many talented and beautiful girls who don't get the opportunity. When people come to meet me, when children come to me-they are my biggest fans-it makes me happy. I am very lucky.

If you are not ambitious, your fees are allegedly very high. Do you deserve the amount you demand and get?
Let all the people who sign me answer that question. There are producers who come and sign me for my fee. It's not for me to say if I deserve to ask them.


More images from this Filmfare cover shoot in the archive here and here.

Friday, 1 July 2022

Sridevi's Q&A: Five Easy Questions for the Queen of Bollywood


Sridevi's Q&A: Five Easy Questions for the Queen of Bollywood 

Such a cute clip - Sridevi was 49 when she shot this - and looked so chic. That element of humour is laced throughout. This was shot just before she was promotions for English Vinglish on Anupama Chopra's show.... 



Friday, 20 May 2022

I never said 'Ask Mummy': Sridevi: Showtime 1988

One from the archives, Sridevi's Q&A with Showtime back in 1988. Thanks to Bollywood Memories on Instagram for digging out this partial Q&A. 


Showtime: Why do you consistently give tame interviews? Don't you think it's a smarter move to talk to the press expansively so that you come across as an intelligent and articulate person, like say Dimple Kapadia, than the perpetual dumb Amma that you're made out to be?

Sridevi: Tell me, whom do I have to impress with my smartness or intelligence? My audience? I can assure you that they are quite happy seeing me on screen. My fan mail will vouch for that. Who else is there? The press? Why should I? Why should I tell all the little secrets of my personal life? My professional life and personal life are totally different. Giving an intelligent interview does not mean constantly talking about your children or your husband or your boyfriend. These things don't help selling your film. And that is all I'm interested in. I want interviews that read sweet, not controversial. If that makes me sound dumb, fine! Whether you can me dumb or intelligent, it really doesn't matter to me.

Do 'sweet' interviews mean, that you constantly parry every question with one 'Ask Mummy'?

Sridevi: Not at all. I have never ever said Ask mummy' to avoid a particular question. If at all I've said it, it must have been because the interviewer was asking me about my dates, or my shooting schedule, or the number of films that I have or even my income. Which is absolutely okay by me. 

Showtime magazine 1988🌾


Friday, 8 April 2022

TBT: March 1994: MOVIE magazine: What's her next move? An update on Sridevi

A throwback to a short interview with Sridevi back in March 94, in MOVIE magazine. 

Why does Sridevi have only two films (Laadla with Anil and Meri Biwi Ka Jawab Nahin with Akshay) in hand? Is it an exit and marriage to Roja's hero, or a well deserved holiday, or a switchover to the South or... just a watchful wait before she plans out her strike back?

A chat which burgeoned into an interview with the woman who makes hearts pulsate even today. Attire: casual, attitude: formal. Sridevi's answers are tellingly crisp. An update.

Q: They say your role in Laadla is that of a total anti-heroine. Aren't you jumping onto the bandwagon by playing a negative role?

A: Yes, today the anti-hero has really worked. The masses seem to want more and more of these multi dimensional, strongly portrayed characters. I mean instead of the white hero and black villain they prefer the grey anti-hero and why not, if they identify with him.

But when I signed Laadla, I was quite oblivious of these trends that were going to control the future. I thought the role I am playing would be a very challenging one. Today it has become one of the many instead of the exception but I am putting my heart and soul into it. I won't exactly call the character an anti-heroine but she comes very close to being one.

Q: Anil was going into raptures admiring your performance in the film.

A: (simply) Yes?

Q: There are rumours that you've more or less shifted to the South after having signed half a dozen Telugu films there.

A: Whoever told you that I returned to regional cinema in a big way? For years I have always been doing one film a year in Telugu on my mother's insistence and of course because it gives me a lot of pleasure too. But the commitment from my side has never been more than a single movie a year. Nor have things changed today. Even last year I had done Kshana Kshanam and this year too I am doing exactly one film. I am definitely not more committed to Telugu cinema than I am to Hindi.

Q: But I've heard that Nagma who's taken your place in the South is reportedly is very threatened at your return to Telugu cinema.

A: (Holds my hand in anguish). No, no. I think Nagma has the wrong notion. You must clear it completely. You must get in touch with Nagma and clear all such thoughts. I repeat staunchly I am not making any comeback of any sorts in Telugu cinema. I am only sticking to what has been my annual routine.

Q: Which are the Hindi films you're working for right now?

A: Besides the South film there is Laadla and there is Meri Biwi Ka Jawaab Nahin (opposite Akshay Kumar). Right now I'm concentrating on these three films. 

Q: And what about Chand Ka Tukda?

A: I want to complete all the backlog of projects I have like Chand Ka Tukda. Only the patchwork shooting for the film is there to be done. I have a project in mind in Telugu but then again the project isn't taking off because of lack of dates. Now for two months I'm going to be in Bombay, where is the time for story sessions, song recordings etc? 

Q: Which is this project?

A: We hold the rights for Gumrah and we're thinking of making it  in Telugu. 

Q: Do you feel charged when doing a remake? Or is it that you feel you've been given a chance to fill in the gaps and improve upon your original performance? 

A: You can't do a full length film with improvement as the only aim. If you try that, people realise it. You can't fool the audience you know. A  striking example of this is Sadma for which I receive mail even today saying I was better in the Tamil original. I make a note of these things and am very selective about the kind of films remade. Many sequences have to be innovated and many other things have to be changed drastically before I even consider a remake. If a remake is like the original scene by scene, how are you going to be motivated? That is what I would call mimicry not acting. And basically every regional or Hindi cinema, for that matter has its own set formats and one has to follow that. In Telugu I think the audience prefer more song and dance extravaganzas so I have to keep that in mind when I remake Gumrah in Telugu. 

Q: Do you think there was place for more songs in a movie as sleek as Gumrah?

A: That is exactly what I am referring to when I "prefer ace of the audience". If song sequences are not there in the basic script, I think we can fit some songs as part of the character's imagination. It makes the film more commercial, you know. Of course Gumrah was an out and out commercial film but made to cater more to the classy audience whereas my Telugu version will be targeted at the masses.

Q: There are rumous that you are going to be married to Arvind Swamy.

A: Pardon me, who? Oh, the man who was acted in Roja. I haven't even seen him except when I saw Roja. This is just one more impossible rumour.

Q: So finally what excites you today?

A: Any script that is new, different and which is not a  remake (giggles away) and something that allows me to learn more and more about acting as an art. You will be surprised but I learn some new thing every moment I spend in the studio.

Writer Sonali Kotnis



Saturday, 29 January 2022

TBT: Sridevi Gets back at Madhuri: "Even mimicry artistes ape stars!": Stardust Nov 1994

For the monthly column Court Martial in Stardust, Nov 94, they picked Sridevi for the tough Q&A. Looking at those tell-tale pages now, decades later, its a point to note that Sridevi remains unperturbed, how unnecessarily rude the format of the questioning is (surely there could be more decorum?) and how the 31-year-old actress answered all queries like a good sport - acknowledging box-office duds and admitting to poor selection of films. Compliments didn't go to her head, the criticism she didn't take to heart. 

There are so many interesting quotes here. Sridevi was aware of her detractors, she knew the nature of box-office that it was cyclical and she remained calm. Soon after this interview, Sridevi went on to deliver more hits than flops. By the time of the magazine's publication, Sridevi had already been in the film industry for 23 years and seen the tides ebb and flow - she sailed through like the empress that she was.

Credits: All original photographs Rakesh Shreshta, Outfits by Manish Malhotra. 

Court Martial

The controversy beneath the calm. It's always there. Foaming with the froth of scandal. Raging like a river below the frozen surface.  All you need is the probe of a pick-axe to reach the swirling waters down under. Sridevi is like that. 

Unfathomable and icy. But controversy dogged her nevertheless. Bit it about her 'soft corner' for Akshay Kumar or her callous behaviour towards her filmmakers. Whether it is her race for supremacy against Madhuri and Juhi here or her slinging match against Nagma down South. Whether its her cold-vibes with her co-stars (Sunjay, Salman) or her sky-high price; Sri has always been the centre of debate. Though her cold regalia of disdain sent any 'probers' running for cover. Until now. In this month's Court Martial, when we put her in the dock and dug out all there is. Not one to take things lying down, Sri hit back of course, in her usual scintillating style.


Your reign over the box-office is good as over. Your recent disasters have only proved this point further. In fact, your latest film Chand ka Tukda flopped so badly that it had to be taken off the theatres barely four days after its release. No wonder your detractors insist that the movie should have been titled Amavsya ka Chand instead. Why, even Saawan Kumar who claimed to be your well-wisher at one time was heard complaining that he regretted taking you for that role. Comment. 

Sridevi: Looks like you have really come with the intention of crucifying me. Let me defend myself by saying that no one person makes the film run. It is a whole lot of things that are instrumental in the success of the film. Like for example, the story-line, the direction, the performances of the people in it, etc. How can you say that my reign is over and that I don't have any draw at the box-office anymore? Was I the only person in the film? Chandramukhi and Chand ka Tukda were two major disasters of mine. I did what I was asked to do in the film. But people want to see more than just a dolled up and dancing Sridevi. Frankly speaking, Chand ka Tudka didn't really shape out the way it was supposed to. Saawanji had spent a lot of money on the film but it just didn't show. But I really don't have regrets doing theses films for I quiet enjoyed doing all the fantasy stuff. I think my biggest mistake was that I trusted my directors totally, I hadn't even asked for the entire scripts. I just heard the basic idea and I was content with it. You know, in this industry, it is very easy to ridicule and run down people, specially those going through a rough patch. and yes, I agree that I am going through one of those phases where things are not going exactly in my favour at the box-office. But I have realised that here, people put you on a pedestal only because they can pull you down later. Anyway, what they say doesn't really bother me, for I know what I am all about. Saawanji is not that kind of person to say anything behind a person's back. He is quite forthright that way and I don't think that he has ever said to anyone that he has regretted taking me. He was the one who was very keen in signing me for the film. Anyway, if at all there is anyone who should have any regrets, then it should be me.

You seem to have suffered a major setback in the South too where you ruled the roost till sometime ago. Your big films with major stars like Chiranjeevi, Nagarujna and Venkatesh have been rejected outright by the audiences. younger actresses like Ramya and Nagma have taken over in a big way. The Sridevi magic seems to be fading there too. 

Yes, my films in the South have fared badly, but then again it was due to a wrong choice of roles on my part. The film with Chiranjeevi was a disaster. And people didn't like me in the film only because of my unglamorous look. I played a blind girl in the film and that, the audience didn't accept. There was another film which I had refused to do initially but later, due to some reasons, I did it. That film was Govinda Govinda opposite Nagarjuna. The whole story revolved around the statue of Lord Ayyappa which gets stolen. The film was criticised heavily and I received a lot of flak for doing that role. The film bombed. Later, people came up to me and asked me how I could do such a film being such a staunch devotee of Ayyappa. You see, I admit that I have made a lot of wrong decision in the past that have cost me dear. You know, I refused offers like Baazigar, Mohra and Krantiveer but signed films like Chandramukhi and Chand ka Tukda. But I am happy if other girls are doing well. One should remember that this is an industry and it cannot run on one person. People expect a lot from me and when I don't live up to their expectations, they get very disappointed. But I want to tell them that I am not a magician neither am I super-human. I am just Sridevi.

Nagma is very sore with you for some reason. She has said in print that "I am better off than a Sridevi. Unlike her, I make all my films run." What have you done to her for her to make such snide comments on you?

I don't know why she said this for I haven't given her any reason to do so. Anyway I don't want to talk about her.


Salman khan blames the debacle of Chand ka Tukda on you. He says that you were playing the title role and hence it was your film. Also, isn't it true that during the making of the film he used to make you wait on the sets for hours. All this must have been a great blow to the great Sridevi ego.

Salman Khas in a sweet boy. I don't believe he would say such a thing, but even if he did then he is not wrong. For I was indeed playing the title role and the film revolved around me. As for making me wait on the sets, well, all I can say is that it wasn't anything major. I have an ego like everyone else but then there is nothing so peculiar about it. I am a very patient and professional kind of person who doesn't get too worked up at such small things in life. 

In spite of not doing well professionally, you have still not reduced the price you charge per film. According to many, that is the main reason behind your downfall. No wonder producers shy away from you and you don't have many films on hand now. Those who take a risk and sign you consider you to be a white elephant where the stakes are very high and the returns unsure. Comment. 

I am really very sick and tired of this accusation. Why are people making a big noise bout my price? I am getting the price I am asking for even today. And it is not because of my high price that I don't have films on hand. It's a just that I am being extra-cautious and choosey. Anyway, I have never had a fixed price as such. It has always been flexible. Maybe that is why I have been around for so long. People are still coming to me with offers ready to pay me much more if I sign their films. But I have learnt my lesson and now I will not just sign anything. Let me also clear this thing about high stakes and unsure returns. In this industry, you can't be sure about anything. There is no fixed formula for success. You never know what might run and what won't. Every proposal is a risky proposition out there. So why point fingers at me?

However much you may try to deny it, the fact remains that your fight with Saroj Khan has indirectly affected your career to a certain extent. After the split, Saroj switched loyalties to Madhuri. And she was responsible for giving her some of her most successful dance numbers. Your loss was Madhuri's gain who got the best of choreography. No wonder then you had to eat humble pie and patch up with Saroj. But even that's not helped you.

I wouldn't say that my career was affected by our parting ways. But yes, she is undoubtedly one of the best dance directors we have. Also she has been largely instrumental in giving great life and form to all my songs and dances. I have learnt a lot from her. To begin with, I never had a problem with her. It was Saawanji who had a problem with her during Chand Ka Tukda. And I became the scapegoat. She did go and speak against me in the press. I don't know why she did it. Maybe she thought that I had created the problem or whatever. But we made up almost immediately and even now when we meet each other we are very cordial. Though we have not worked together after that misunderstanding. However, I am looking forward to working with her but then I will work with her only if she devotes all her time to me whilst we are shooting my dance numbers. And not assign one of her assistants to do the job. I know she is an extremely busy woman but then I relate better to her. Also to set the record straight, Saroj was working for Madhuri even when she was working for me. 

Yash Chopra has still not forgiven you after the way you harassed him during the making of Lamhe. No wonder he's not taken you for any of his films after the nightmarish experience. He almost seems to have forgotten your existence. He has even found a good replacement in Juhi Chawla whom he is very comfortable working with. In Darr, he even gave her your Chandni look just to spite you. and after the film's stupendous success, he has indeed proved to you that you are not indispensable.

No one around here is indispensable. Not even me. But I must clarify that I never hassled Yashji during the making of Lamhe. That was one film which I really loved doing. The only reason why we have not worked together again is because after doing two beautiful films like Chandni and Lamhe, we want to do something better. He has told me that the day he has a spectacular script, he will definitely do a film with me. I am happy for Juhi Chawla. She is doing so well. She deserves all the success because she is a very good actress. And if Yashji is making her act like me, it is a big compliment to me. I like it. 

At one time you thought that you were doing newcomers a favour by doing films opposite them. Isn't it true that you were in two minds to do Meri Biwi ka Jawab Nahin opposite Akshay Kumar/ Later you delayed the films by cancelling schedules of the film only because you were not sure about the hero's capabilities. But now, looks like the tables have turned. After Akshay has hit the big time, you want the project to materialise because you feel it will help revive your sagging career. How the mighty have fallen.

In this industry, nobody does anyone a favour. If you are good then people want you, otherise they won't even look at you. Whenever I have signed a film opposite any newcomer, I didn't do it as a favour to any of them. I was never in two minds about signing Meri Biwi a Jawab Nahin opposite Akshay. The film got delayed because the producer changed the earlier director and roped in Pankuj Parasher to direct. After that I met with an accident,  where I slipped and fell injuring myself badly. I was indisposed for some time and one schedule which had combination dates of all the others stars in the film had to be cancelled. Now getting the dates of all of them is quite difficult but then let's see, we are working out something. We all want the project to materialise. 

You are an incorrigible flirt in your very own way. Isn't it true that on the sets of Meri Biwi ka Jawab Nahin you are all the time making eye contact with the hero, Akshay Kumar? And that you have taken a strong liking to Akshay who apparently is quite besotted by you too? You certainly cannot deny this for even the unitwallas swear by this as the garam vibes [hot] between the two of you are pretty evident on the sets.

That sure is a laugh. Do I look like the flirting kind? I don't sit on the sets and make eye contact with Akshay nor do I flirt with him. Its just not me. I am the kind who gives her shot and goes and sits in her make-up room. I hardly interact with any co-stars unless I know them well and since this is my first film with Akshay, I don't really know him. But then, he is very courteous and quite a gentleman. But there is nothing on between the two of us. Believe me.

At one time, when you were at the peak of your career, you had thrown out your faithful secretary Hari Singh quite unceremoniously only because you didn't need his services as you had a lot of films on hand. But of late, when your career seemed to be going downhill, you pleaded with him to work for you once again. Comment. 

Yes, we had a minor problem after which I felt a little uncomfortable working with Hari Singh so we decided to part ways mutually. After which we did not meet and speak to each other cordially. There was no bad blood. If there was, would he have worked for me again? We share a very professional relationship and he is very good at his work. Also, I have re-employed his services not because I am out of work or whatever, but because I had got a little disorganised with all my busy schedules. 

Sanjay Dutt finds you very reticent and cold-hearted. Through the making of Gumrah you were very indifferent to him. Apparently, you would often keep him waiting on the sets endlessly. No wonder the otherwise friendly Sunju is so put off with your starry attitude that the very mention of your name gets a frown on his forehead.

See, like I said earlier, I am a person who doesn't mingle much. I admit that I didn't communicate much with Sanju but then I am like that with everybody. I didn't know him very well. Even during the making of the film, we barely spoke but for small talk. You know, I really don't know what to talk to people  I am not too friendly with. As for keeping him waiting, I didn't do it deliberately. There must have been some legitimate reasons for the same. 

You desperately wanted to do a film with David Dhawan. You had even met and discussed a proposal with him but after the debacle of Andaz, you backed out of the project saying that he was a crude director.

I did meet David Dhawan and we even spoke of working together. But nothing was finalised as he is presently very busy with his other films. I don't recall calling him crude or whatever. I am still looking forward to working with him. 

Madhuri Dixit did a take-off on you in Khalnayak. Also she feels that she is in a league of her own as you fall into the older bracket. Do you hold some sort of a grudge on her because a lot of people consider her to be the new Number One? Comment. 

I've heard about this but to be honest, I've not seen Khalnayak. I think that is perfectly alright. She is a professional actress and I suppose that she did what her director asked her to do. She is not the only one to do it. A lot of other stars also imitate the distinct styles of prominent stars. What's the big deal if she did a take-off on me? Even mimicry artistes are aping stars all the time. It is their profession. But frankly speaking, I'd never do it. 

Shahrukh too for some reason is very put off with you. Recently he was heard saying that he would rather work with a Madhuri or a Kajol than put up with your starry tantrums. What is it about you that people prefer keeping their distance from you?

This is news to me that Shah Rukh doesn't want to work with me. I knew that Ajay Devgan had said that he would never work with me. I wanted to call up Ajay and clear up that Khuda Gawah controversy where I was supposed to have asked the producer to replace Ajay with Nagarjuna. This was all totally false. But then, I was in two minds. I didn't know how he would react to my call. Well, someday I hope to clear up this misunderstanding too. Whether we work together or not, only time will tell. 

You are accused of troubling Vinod Mehra the maximum during the making of Gurudev. The poor man had to literally chase you around for your dates. He was literally at your mercy since you played a double role in the film. How could you treat him so shabbily?

I would neve ever dream of hurting somebody as endearing as Vinod Mehra. He was a perfect gentleman. In fact, since I was doing a double role in the film, I was the first to complete most of my work. In fact, even after his sad demise, I co-operated totally when they wanted some more dates of mine. You could ask Kiran Mehra if you don't believe me.

-- Writer Harish Kumar, Stardust, Nov 1994

TBT to the days of buying two copies of any magazine that had Sridevi on the cover - in case one copy got damaged! Rs 15! 







Thursday, 11 March 2021

Sridevi FINALLY sat down with Vir Sanghvi: Bollywood icon appears on CNN show Virtuosity

TBT: July 2017. 

Sridevi sets a lot of the record straight. Too many unreliable newsbytes, especially online. 

We are guilty of it too - but the edit button has been used frequently to correct, amend, inform with accuracy if not alacrity! 

Saturday, 27 February 2021

Sridevi talks about the controversial ending of Lamhe: Sri surprises CNN host Rajeev Masand


Sridevi's epilogue on Lamhe, "It was a beautiful film - but I told Yashji, I don't the audience will accept the ending. I told him before the release of the film"


In an earlier interview with Indian Express, Sridevi spoke about Lamhe, "I love the film but I still feel that the climax of the film went wrong. I feel Lamhe can be divided into two halves: the rest of the movie and the climax. Maybe it's my mindset, but I wasn't convinced that the man (Kunwar Viren Pratap Singh played by Anil Kapoor) could suddenly fall in love with the daughter (Pooja). Throughout the film, he keeps telling her that he loves her mother and then suddenly in the climax he says, I love you. She even retorts: Mujhse ya meri soorat se? [With me or with my face?] His change of heart was too sudden. I've always felt this way but Yashji was convinced about his ending and ultimately it's the director's film, and like always, I surrendered." 

This is not a new opinion but something Sridevi said in past interviews too. 



Sunday, 19 July 2020

Sridevi addressing the controversy and critics of her role in Masterji



When Masterji was released in 1985, it was during the peak of remakes (the film was a remake of the Tamil hit Mundhanai Mudichu,1984). Film producers in the 80s used the south Indian market as a testing ground, the theory being if it works well in smaller centres, it might be able to repeat the formula again on a larger scale. This worked for a long time - hence the huge money spinning trend of remakes and endless Jeetendra Sridevi/Jaya Prada/Rekha movies shot quickly and within budget. The term Bollywood factory was coined somewhere along the way as stocks of these movies were couriered to cinemas dotted around the nation with regularity and clockwork precision. Most of them were walloped by critics (in fact, we hunted through reams of print trying to find one positive review, but couldn't). but absolutely no one in production cared as the cottage industry made huge returns.

Masterji went on to become the 12th biggest hit of 1985 (according to imdb) but the double-meaning dialogues, the sequined bikini tops of Sridevi, the zoom ogling shots and angled cinematography focusing on the actress' curves, well, it did not go down well with the critics; especially Sridevi's harshest critic, her mother (and original momager!) Rajeshwari. 

Excerpt from Sridevi's interview with Filmfare, October 1985;

Filmfare: How much satisfaction did you get from the film [Masterji]? What was her [Sridevi's mother's] reaction when she saw the film?
Sridevi: "I thought my performance was ordinary. But everybody has been telling me I was terrific. I am quite surprised with their reaction. My mother however was not pleased. She asked me, 'Why did you do all those vulgar things?' I told her, 'Really, mummy, I didn't realise that what I was doing was vulgar."

She sounds so innocent and genuine when she says this, like a little babe lost in the woods, that one can't help overlooking the contradiction in her statements.

What about the dream sequence? Didn't she realise what she was doing even in that scene?
Sridevi: "I don't want to sound like I'm trying to justify myself because I am not at all unhappy for having done the film. But sometimes, the camera work can make certain scenes look more vulgar than what you are actually doing. In the dream sequence they used the zoom which accentuated the vulgarity. Anyway, the film is finished, over. In future I'm not going to to wear any revealing outfits."

Filmfare: Suppose a director insists on it?
Sridevi: "If a director insists I'll be very careful to see if the scenes really demand it. Not as in Masterji."

Filmfare: Is she taking any other precaution to ensure she stays Number One for a long time? What are her criteria for accepting or rejecting a film?
Sridevi: "I am taking no precautions as such. But I feel I should be sincere to my work. Also, I am choosing only good roles - I'm being very particular about that. Of course, sometimes without realising it we do make mistakes.

"My criteria for accepting or rejecting a film? I like to listen to the story. But sometimes the story isn't ready. In which case, I see the director's past record. Recently a known director offered me a Telugu film opposite  Kamal Haasan. So I agreed. But later when he narrated the story I didn't like it. So I've been thinking of withdrawing from this venture."

Nearly two decades later, Sridevi said:

"Earlier I had a bindaas approach to acting; I was game to do anything crazy on screen. Today, it's different. I stop to think how my daughters may react to what I do. I've become more careful now." 
-- Sridevi, November 2004 in Filmfare.

Below: A page out of Filmfare. The caption on the Sridevi picture: Sridevi.. a rage with the masses, has now graduated to the 'class' level.  

Sridevi's controversial costumes from the film! 







Sridevi,  "I am not so keen to wear all those revealing clothes. I have nothing against wearing sexy clothes, but I certainly mind vulgarity. The same clothes can look sexy or obscene depending on a whole lot of other things. Take Masterji for example. I have worn the kind of clothes I wore in Maserji in my other films too, but they looked obscene in this particular film because of the suggestive actions and double entendre. I have refused to wear sexy costumes in these kind of films. Surely, I can use my discretion to know the intentions of the producer and decide if the costume will look sexy or vulgar on screen. Besides, I have proved I can be glamorous. Now I want to prove that I am good actress too. I want to dispkay my histrionics and not just my body. " 
 -- Sridevi, MOVIE January 1986.
As told to reporter Girija Nair